SLAVE UNIT
by Daniel Hinds
Relative newcomers to the scene, Slave Unit have quickly established
themselves with a very professional debut album on the highly regarded
COP Intl. label. This four-piece (plus live drummer) is made up of Mike
Welch (vox, guitar, programming, percussion), Torsten (bass, programming),
Alan Sartiaana (guitar), and Mike Prikos (guitar) and the noise they make
is hard and angry, yet melodic and strikingly confident.
This interview was conducted via e-mail and the band chose to
respond as a group, so read on...
When you write songs, do you usually start by sitting down with the
guitar, keyboard, bass or what?
It's different all the time. There is no one answer for that question.
A lot of the times the drum beat/programming comes first then we start
experimenting with different bass and guitar lines.
When did you first realize that you wanted to write and play music?
Pretty much everyone in SLAVE UNIT knew that they wanted to write and
play music at an early age. Music has always been a big part of our lives.
How did Slave Unit get together?
To make a long story short. Welch was doing a band with Torsten and
a side project with Alan and Paikos. We realized that we all wanted to
(more or less) go for the same sound or direction so we just eventually
joined forces and became SLAVE UNIT.
Is the Bay Area conducive to your creativity?
There are a lot of great bands from the Bay Area but I can't really
say that they have been conducive to our creativity. They haven't really
influenced us in anyway.
Have you played out much?
We haven't played to much out of the Bay Area. The furthest south we
played was in San Jose with DIATRIBE. We've played Sacremento a couple
of times but we usually just play in the Bay Area.
Any tour plans for the coming year? Anything outside the US?
I've heard talk that there may be a mini west coast tour sometime at
the end of November but that's really up in the air. If we do the tour...
I think we would be going from possibly Vancouver to San Diego. Well just
have to wait and see.
Any collaborations or side-projects in the works?
Well... without giving any names. Some of us in SLAVE UNIT are doing
a side project with some others from another party called OFFICER DOWN.
OFFICER DOWN is very extreme music. It's probably some of the most pissed
off sounding industrial around. Look out for these guys down the road.
With the exception of NIN and a few others, the electro-industrial
scene has remained by and large an underground thing, and it seems as though
a lot of the fans prefer it that way. What is your take on the scene in
general and where it is headed?
We really don't understand the underground scene. It seems that not
enough kids support the underground bands. I mean if you're "lucky" you
can get 200 kids to show up at a "good" show. The industrial scene just
seems so unsupportative at times. I mean take the punk rock scene. Especially
up here in the Bay Area. I don't care what punk band is playing....There
are litterally hundreds and hundreds of kids supporting the scene whenever
there is a show. We just wish that the underground industrial scene can
be more supportative. As for where the scene in general is headed? We don't
know. We think that the underground industrial scene needs to do something
before it becomes extinct.
What bands/artists do you like that might surprise people?
We like everything. There's not one person in SLAVE UNIT who only likes
one type or style of music. Some of us in SLAVE UNIT are really into the
"oldies" like 50's bubble gum music and rockabilly/old country stuff. Some
of us like "trip hop" and "jungle" music. I can't really speak for all
of us and I don't want to embarrass anyone. However it's safe to say that
none in SLAVE UNIT likes the GRATEFUL DEAD.
Okay, the big question: Mac or PC?
We use a Mac. It's not like we think the Mac is superior but that's
what we have always used. Plus we got a bunch of free music programs for
the it, so that's what we use.
Are you happy with the cover art on your album? What would you consider
to be some 'classic' album covers?
Well this is a tough one. We sort of waited until the last second to
submit our art work for the album. We were given like 8 months to gather
art work but we are all professional procrastinators. Let's just say on
the next album we are going to emphasize a lot more on the artwork and
layout.
How did you hook up with COP Intl.? Were you at all worried about
finding a label?
We played this show with BABYLAND at the Berkeley Square and after
our set Kim X introduced herself to us, then we pretty much just kept in
touch with her from that day on. We were never really worried about finding
a label. We knew that in time something would pan out.
How involved in the internet are you? What do you think about how
it is currently being utilized?
Most of us are pretty much involved with the internet. I don't think
a day goes by where one of us hasn't used it.
What are your views on digital vs. analog, new vs. old gear, etc.?
We like botth digital and analog. Analog has a thicker and warmer sound
to it but you can get some cool sounds out of digital. We use both.
Outside of music, what do you spend most of your time doing?
When we're not doing music we are all working at our jobs or going
to school. Real fun stuff!
The production on the album sounds great. Were you happy with the
recording process and the results?
We are very pleased with the production Spawn did a great job helping
us out and it turned out great. However the recording process took forever.
Hopefully our next release won't take as long to record.
Any thoughts about what you'd like to do differently with your next
recording?
We wouldn't change a thing. |