Released through Sweden's Cold Meat Industry and his own Dark Dungeon Music, the drow elf produced four full-length albums before signing with Earache for his latest, The Stargate.  Using the vocal talents of Sarah Jezebel Deva (ex of Cradle of Filth) and Kalle Metz, this album shows Mortiis developing a much broader and deeper sound than ever before.

After a string of dates here in the U.S. with Christian Death, Mortiis and crew were just about to cross the border into Canada when I got a chance to chat with him via cell phone…

Could you tell me a bit about the storyline of The Stargate and what inspired it?
I guess musically I was inspired by Basil Poledouris - he did the soundtrack to the first Conan movie, for example.  Musically, that's about the only thing I can put my finger on.  As far as concepts and stuff, there's a myth in certain cultures that you can travel between different dimensions using stars - use them as gates.  I just found that concept very fascinating and it inspired me to do something along the same lines and incorporate that into the whole Mortiis thing.

The CD booklet says "to be continued..." at the end - will it be continued on the next album?
Probably not the next album, but at some point in the future I would like to make a second one.  It's not actually finished.  I have the rest of the concept worked out, the storyline so to speak.

Did you come up with the concept before writing any of the music?
Sort of.  I think I had some basic musical ideas, maybe a few raw demos or whatever lying around, but I think the storyline was pretty much figured out before I did the music.

In the past, your image has always been very mysterious and in the shadows, but on the Stargate, there are very clear pictures of you on the cover and back cover and tray card.  Why the decision to make yourself more visible this time out?
I think I always wanted to do that.  The fact that it turned out the way that it did [in the past] gave people a certain impression - it's not like that was intentional.  We didn't have any professional photo shoots back then, so basically it was me and my girlfriend with an amateur camera, taking photos in the marshes.  That kind of thing, which tends to give things an obscure angle.  So when I had the chance to work with more professional people as far a photo shoot, it turned out differently.  That's how I wanted it from the beginning anyway.

Are you pleased with Earache so far? 
Yeah, I guess.  You know the way it is with labels, they can be bastards, but what can I do?  What can I say?  We have a contract.  But I think they're doing a pretty good job, though.  I'm getting to do a lot more shit now that I would have never done with another label.

Do you still have a connection with Cold Meat Industry? 
Yeah, sure.  Not at this point, because I'm doing the U.S. support and stuff, but when I'm back home, we do talk.  I'll check in and see what's going on and stuff like that.

How about Debbie at Blackmetal.com?
Yeah, how about her?  (laughs)  We were kind of not talking for a long time.  I did a San Francisco show a couple weeks ago and she turned out at the show, she and her guy Elden, they do this thing together [blackmetal.com], and we talked and things were okay.  We exchanged new phone numbers and stuff, so I think that dispute is probably in the past. 

How is the tour going?
Not very good.  I mean, someone has not taken responsibility for promotion - the promotion is horrible.  I don't know who to blame anymore and I don't want to mention names, but it just seems like no one is doing their job, basically.  We had these posters printed up and we've done like 23 or 24 shows so far and I've seen those posters up at about 3 of the shows.  That's very annoying.  Plus the fact that my album should have been out in the U.S. and Canada at least a month ago, before the tour started.  That got screwed up, so I'm pretty much doing a tour for a record that's not actually out.  If you look away from that, we are getting a good response, which is very good.  People show up at a show that is pretty much not being promoted, they get to hear music they've never heard before, and still at some of the shows we're getting an amazing response.  I'm pretty happy with it, despite everything that's fucked-up about the tour.

Have you done any major touring in the past?
No, this is my first tour basically.  I'm being introduced to a pretty rough world right now (laughs).  Is it supposed to be this fucked-up all the time?  But I'm getting the impression that it's not supposed to be this bad.  I've talked to the other people we're touring with who have done this a lot of times and they're like, 'This is a fucked-up tour!'  So, I guess I'll try it again.  Maybe.  (laughs)

I understand that Dark Dungeon Music is closing down.  Is that true?  Why?
Yeah.  I was the only guy working at that label.  I was doing everything and it just took up all my time.  I saw my music fall to shit - I could mention a couple of records that I've done that I should have never done or should have taken a lot more time doing.  But I didn't have the time because Dark Dungeon took up all my fucking time.  So, it just came to a point where I realized, okay, this is not working out.  I don't want to do the label anymore.  I hated going down and doing it every day, I hated every minute of it.  I don't want to deal with all these people, I don't want to have all these worries, 'Is he gonna pay me?,' 'Are they gonna pay me?,' 'When are they gonna pay me?' and blah blah blah.  I hated it and I still hate it.  So I put it down.  I want to make music; I don't want to be in the business side of it.

You've always released your music on vinyl.  Is there a vinyl version of The Stargate?  Is that important to you?
The Stargate is available on vinyl.  We have a bunch of it in the van.  Vinyl forever!  It is something that I used to be a lot more fanatic about in the past.  I've come to accept CDs.  I mean, you have to accept the day and age that you live in.  If you didn’t do that, you'd be in big trouble.  Time will not wait.  But there's nothing wrong with being a bit nostalgic; I just try not to take it too far.

What is the status of your other projects?
I put them down.  Just like with Dark Dungeon Music, I pretty much put everything down the same day, except Mortiis.  This is what I'm going to do now, fuck everything else.  I want to do one great thing instead of a bunch of mediocre stuff.

Is there anyone you would like to collaborate with musically in the future?
I don't know.  I could probably come up with a few names, but I don't want to say, "I want to work with this person,' as it might create problems or something.  I'm sure there's a whole bunch of people I'd love to work with, but I'm so used to working alone it's hard to come up with names.  I've never really bothered with other people, never paid attention to anyone else.  I'm starting to change that, I'm starting to look into what other people do and it's pretty healthy, actually.  It's good to be on top of things.

Was it kind of a different experience working with vocalists on this album?
Yeah, I was nervous.  Before they came out, I was really nervous.  Like, oh my god, I haven't worked with anybody since Emperor back in '92 and that's like six years at that point.  I don't even know how to collaborate.  But it worked out really good.  It took a little longer than we expected, but just a couple days, no big deal.  But it definitely worked out really good and I definitely plan to continue to work with other people.  It can only make things better.

Would you like to score films at some point?
Everybody asks that and I always say that I don't think I'm good enough.  Definitely not good enough.  I mean, I know what I do and I can compare it to movie soundtracks and I'm like, okay, damn.  I'm a long way away from being that good.  That's how I feel anyway.  I mean, I'd love to do it, but I don't consider myself good enough.  That's just me being my worst critic.  At some point, I would like to try something like that out, but maybe not this week.  (laughs)

When you write songs, do you hear the whole work in your head or do you start with one instrument and build it up from there?
Kind of both, I guess.  I think I know kind of how I want the song to sound, but it never really turns out like that.  I start realizing, okay this didn't work out, that didn't work out - maybe 50% of what you had in mind stays with you.  The rest is just something that popped up during the writing process.

I read that you are working on a book…
That is something that I've been working on for several years.  It's pretty much like the young days of Mortiis up until the day he decides to leave the world he was born into.  It's all very symbolic and reflective of what goes on this world and my own state of mind.  It'll be out next month, as far as I know.

Who is publishing it?
Oh, Earache I guess.  They're doing like a limited edition thing, a box with The Stargate CD and the book.  Sometime in November.

Are you happy with how the book came out?
Well, basically, if I were to do it today, 90% of that I would have never done.  It's like a diary almost of the last few years and it's the oddest thing to see the changes in the attitude.  In that sense, it's very interesting.  As far as me being very naïve and evil and shit like that, but as you grow and develop, your mind matures a little bit and becomes more realistic.