
by Daniel Hinds
Piet Sielck may not be a household name
quite yet, but he has been involved in the metal scene since the late 70s.
Joining Kai Hansen in an early version of Helloween, he dropped
out of the music scene for a while, recently resurfacing with the stunning
Iron
Savior not long ago. Quickly following up that success with the
equally impressive Unification
album, Iron Savior are quickly establishing themselves as one of
the world's leaders of top-notch melodic speed metal.
Taking a break from his work on the next album,
Piet
was kind enough to answer a few questions for me...

Could you give me a run-down on what you did between
the time you worked with Kai before Helloween and when you
put together Iron Savior?
Since 1987 I worked as a sound engineer and producer. I worked with
bands like Blind Guardian, Grave Digger, Saxon, Uriah Heep, Domain,
lots of not so well known acts and of course Gamma Ray.
What was the genesis of the name Iron Savior
in the first place?
In our teenager days we had a song with that title. I always liked the
name, so 15 years later I made a new song being inspired by those old times
of my life. Since it was the first song I really finished up for the IS
#1 album and I wanted people to understand instantly what this band is
about I choose the name Iron Savior.
What has inspired the sci-fi themes of the two
Iron
Savior albums?
All the Star Wars movies, all the Star Trek movies and
TV shows and a probably in the US unknown German sci-fi story called Perry
Rhodan. It appears weekly and gives you 64 pages. The series is on
since the early sixties and by now they must have reached their twothousands
edition.
The storyline on both Iron Savior albums
is pretty elaborate. Have you done any or thought about doing any
serious fiction writing (short stories or a novel maybe?)
The whole story started as a novel I wanted to write. When I was working
with Blind Guardian in Denmark on their Imaginations...album
I usually worked at night with quite decent spare time in the afternoons.
To fill this time I started writing this IS story, but I never finished
more then 50 pages…But this was or still is the basis of all what is happening
on the two albums storywise.
Who are some of your favorite authors?
Frank Herbert's Dune is simply the best!
The production on Unification is
excellent. Could you tell me a bit about how the whole recording
process went?
Somehow we never had any major problems. All of the material was recorded
and mixed on Pro Tools, a Mac based harddisc recording platform. I just
love this system. Except for the drums and the bass guitar (which were
recorded in a different studio) all the stuff was put down in my little
place. We choose a different recording situation for the drums and the
bass because we needed a studio with a big and nice sounding recording
room. But after that no super big recording facilities are needed anymore
so we moved back to my place. This is the real cool side about this
computer systems. Wherever you put them up you can do state of the art
recordings then load everything in your car and go some place else. But
also performing the song as a band who has been on tour together made the
production really tight and punchy. I gave the musicians a lot of freedom
how to perform their instrument for the simple reason that it is THEIR
and not my instrument. This was a great way to work.
What is the typical creative process behind an
Iron
Savior song?
Usually everything starts with a guitar riff. This decides about the
general attitude of the song. Weather it's gonna be aggressive or more
melodic. After that I try to think of a good chorus, because this is the
most important part of a song. After that I come up with verse and a bridge.
If the song is still working and I am getting gooseskin it can stay. If
not…do it again, Sam.
Do you ever come up with material that you like
but doesn't quite fit the Iron Savior sound?
Yes and no. Somehow if I like something I was always able to make it
fit to IS. I really hate to be restricted in that matter. If I like
it, it stays. It then will automatically become IS like.
I like the fact that Iron Savior's music
is very melodic yet retains plenty of speed and heaviness, too. Is
it important to you to have that balance?
Yes, indeed. I hate to be to linear. In my music I always want to create
a good balance of everything I like. Even with ten "killer songs" it would
get quite boring if they were all in the same speed for my taste. I definitely
try to avoid this.
Glad to see the cover of "Neon Knights" -
so many people overlook the Dio-era of Sabbath and it is
my favorite. What inspired you to cover that particular track?
I have to admit, that I never was a big Sabbath fan. I always
had problems with Ozzy's voice. But when I heard that Dio
joined the band I went to the record shop and bought the album right away.
When I later on at home listened to the first track, I knew instantly,
that I' just bought myself a killer album. Together with "Heaven and
Hell" "Neon Knights" always was my favorite track of the Sabbath/Dio
era.
How did you come up with the idea for the band
competition to have a track included on Unification?
At first we just had the idea to work with local bands to open the show,
then we thought about turning it into a band-battle and give this price
of releasing one track on our next CD. The general idea behind it was,
to give young and unsigned bands a chance to promote themselves in a way,
which usually would not be possible for them. In our early days we would
have loved a thing like this…
How did your last tour go?
Very well, even though Kai couldn't come with us. We got lots
of positive reactions and the people really liked our show. I was very
surprised about the fact, that people accepted IS without Kai
just as well as with Kai. But for our next tour in August or September
Kai
will be with us again since he then has finished up all his
G-Ray
work.
What kind of a set-list do you play live?
A good mixture of the first and the second album. Atlantis Falling,
Iron Savior, Brave new World, Riding on Fire, Watcher in the Sky, For the
World, Coming Home, Brothers, Starborn, Eye to Eye, Mind over Matter, Deadly
Sleep, Prisoner of the Void, The Battle, Unchained and some surprise
tracks…
In almost every photo I've seen of Iron Savior,
the band is smiling and seems to be enjoying themselves - not the usual
overly serious or pissed-off metal look. Is that intentional or just
coincidence?
Well, that's just the way we are. Music is fun and we enjoy ourselves
very much when we perform music, so it's quite natural to see us most of
the time with a big grin in our faces. We do take our performance very
serious but the fun factor for IS is very important. Posing and
looking mean is also OK but we just prefer a natural presentation since
we don't have to act.
Since you seem to be skilled at a number of instruments,
I am curious which one is your favorite to play? Why?
Guitar and Vocals. I always saw myself as a guitarist and vocalist.
I just learned to do some keyboards because it's quite useful for the composing
process. As a guitarist I am able to play a bass guitar, but a real bass
player still is a different thing. He really has a different attitude in
playing HIS instrument. So I am quite happy, that I not longer have to
do it by myself.
How did you first hook up with Blind Guardian?
When I was working on the first G-ray CD Kai told me about
a studio guy who wanted to move his studio to Hamburg, my home town. So
I visited him and we agreed that I will assist him with his upcoming production.
The guy was Kalle Trapp and the production was BG Tales from
the Twilightworld. So I recorded all of the guitars for
this thing, all the keyboards and also did all the backing choirs (together
with Rolf Köhler and Hacky Hackmann). During the production
we really started liking each other and somehow I became the guitar/keyboard/choir
man for BG.
Is the climate for metal in Germany better these
days than in the past or not? Do you guys get much radio or video
airplay?
The climate is a lot better than it used to be three years ago, but
still HM is a very specific music with a very specific market. It is quite
popular but not in terms like Phil Collins or Michael Jackson.
Also the radio situation in Germany is quite different from the US. Somehow
ALL stations broadcast the same, boring mainstream stuff. Top 40 and that's
it. They're all afraid to loose their listeners and the advertising money
when the play non-mainstream stuff. That also goes for TV . There's only
ONE show, that plays HM stuff. So we are still hoping that the maker
of all these programs will understand, that HM has come back to the peoples
mind…
What are some of your interests/hobbies outside
of music?
Surfing, frensh billiards, books, movies, traveling, having a private
live with my family and meet friends.
For more info, check out: http://porter.desy.de/is/
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